[LuxWeeklyNews] LUX Weekly News 27th November – 3rd December 2006: EVENTS AND OPENINGS IN LONDON THIS WEEK
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Mon Nov 27 17:05:56 CST 2006
LUX Weekly News 27th November – 3rd December 2006
EVENTS AND OPENINGS IN LONDON THIS WEEK
Going Professional: Video Artm Tate Modern, East Room, Tuesday 28
November, 2- 5 pm
n.o.w.here presents Light Reading Series 5, PETER CUSACK / ANGELA
IMPEY, Kingsgate Gallery, Wednesday 29th November, 7 pm
Katy Dove, Hales Gallery, 30 November – 20 January
Video and Music Performers (VAMP), Tate Britain, Friday 1 December,
from 6 pm
Analogue: Pioneering artists' video from the UK & Canada 1968-88) –
Symposium, Tate Britain, Saturday 2 December 2006, 10 am - 6 pm
LUX LONDON EVENTS CALENDAR the most comprehensive daily listing of
artists' moving image events, screenings and exhibitions in London
www.lux.org.uk/resources/calendar.htm
1.
Tuesday 28 November 2006, 2- 5 pm
Going Professional: Video Art
Tate Modern, East Room
£15, booking recommended
Price includes refreshments
www.tate.org.uk/modern
In the last few years, video art has experienced a dramatic growth
and widespread exposure at festivals and major exhibitions. Yet it
can be among the most difficult areas of artistic practice in which
to work professionally. While video art appeals to a large public in
tune with current media sensibilities, the artist is faced with a
bewildering range of outlets and distribution channels, from
commercial galleries to film festivals across the world and online.
This study day offers an overview of professional development
opportunities and financial and other resources available for
emerging video artists. The contributors are Rose Cupit (Film
London), Rachel Baker (Arts Council England) and London-based artists
Manuel Saiz and Stephen Johnstone.
2.
Wednesday 29th November, 7 pm
n.o.w.here presents Light Reading Series 5
PETER CUSACK / ANGELA IMPEY
Kingsgate Gallery
110 - 116 Kingsgate Road, London NW6
www.nowhere-lab.org
Nearest Tube / overground: West Hampstead. £3 if pre-booked /£4 on
the door.
Places are limited so booking is essential, please call 0207 372 3925
or email: courses at nowhere-lab.org to reserve seats.
Based in London, Peter Cusack works as a sound artist, musician and
environmentalrecordist with a special interest in environmental sound
and acoustic ecology. Projects move from community arts to research
into the contribution of sound to our senses of place, to recordings
that document areas of special sonic interest, e.g. Lake Baikal,
Siberia, Xinjang China's most western province. In 2005 Peter was
involved in 'Sound & the City' the British Council sound art project
in Beijing. His current project 'Sounds From Dangerous Places'
examines the soundscapes of sites of major environmental damage, e.g.
Chernobyl, the Azerbaijan oil fields, and controversial dams in south-
eastern Turkey. He initiated 'Your Favourite London Sound' a project
that aims to discover what Londoners find positive in their city's
soundscape, an idea that has been repeated in other world cities
including Beijing and Chicago.
Peter also produces 'Vermilion Sounds' a monthly environmental sound
program on Resonance FM and lectures on 'Sound Arts & Design' at the
London College of Communication. He was recently appointed research
fellow on the Engineering & Physical Sciences Research Council's
multidisciplinary 'Positive Soundscapes Project'. As a musician, he
tours regularly at home and abroad. Available recordings include
‘Where is the Green Parrot?’, ‘Your Favourite London Sounds’ and
‘Baikal Ice’.
Angela Impey has a doctorate in Anthropology/Ethnomusicology from
Indiana University (Bloomington). She has worked in community arts
and education in various countries in southern Africa, and lectured
Ethnomusicology at the University of KwaZulu Natal (SA) for many
years. Her research, which was located in the borderlands of South
Africa, Mozambique and Swaziland, explored ways in which sound and
the affects of music making may contribute critical cultural insights
to current perspectives in development, particularly as they pertain to
land, gender and natural resource management. Angela has recently
relocated to London and is working on various environmental
development projects in the Eastern Nile Region of Ethiopia and Sudan
as a social development consultant.
Light Reading is an on-going series of critical dialogues that engage
artists, writers and curators in conversation around a selected
artist’s body of work. The series will resume in January 2007. To be
included on the mailing list please contact courses at nowhere-lab.org
3.
30 November – 20 January
Katy Dove
Hales Gallery
Tea Building
7 Bethnal Green
London E1 6LA
Wednesday – Saturday, 11am–6pm
www.halesgallery.com
4.
Friday 1 December 2006, from 6pm
Video and Music Performers (VAMP)
Tate Britain
This event is free, no bookings taken
VAMP (Video and Music Performers), video performance, Duveen Galleries
After a twenty-five-year hiatuses, VAMP are performing again. The
group were the first to perform integrated video and audio works
using the Videokalos image-processing synthesizer, developed and
built by Donebauer in collaboration with Monkhouse in the mid 1970s.
The artists include Simon Desorgher on flute and electronics, Peter
Donebauer on Videoakalos synthesiser, Richard Monkhouse on Vector
Pattern Generator and Michael Orniston on the Mongolian horse-head
fiddle with Mongolian overtone singing.
Kevin Atherton, In Two Minds, video performance, Clore Auditorium
In Two Minds - Past Version consists of the fifty-five-year-old Kevin
Atherton answering questions put to him by his twenty-seven-year-old,
pre-recorded self. The resulting performance is a humorous and
insightful examination of 1970s video art but as it progresses,
becomes a poignant reflection on what has happened in the intervening
twenty-eight years.
Continuous playback of selected single screen tapes, Clore Gallery Foyer
5.
Saturday 2 December 2006, from 10am to 6pm
ANALOGUE: PIONEERING ARTISTS' VIDEO FROM THE UK & CANADA (1968-88) -
Symposium
Tate Britain
Tickets: £25 (£15 concessions), booking required
Box Office: 020 7887 8888
www.tate.org.uk/britain/eventseducation/symposia/7144.htm
This symposium includes discussions with the curators Catherine
Elwes, Dr. Chris Meigh-Andrews and Peggy Gale and contributing
artists David Critchley and Tamara Krikorian, chaired by A.L. Rees
and the screening of familiar and forgotten video work from the UK
and Canada. The event features work by General Idea, David Hall, Mona
Hatoum and Cerith Wyn Evans which reflect the period's social
realities and questions mainstream popular culture and fine art
traditions.
10am SCREENINGS
Four one hour programmes of work by pioneering UK and Canadian artists.
UK: PROGRAMME 1
David Critchley, Pieces I Never Did (extract), 1979, 4.50 min
Marceline Mori, Second and Third Identity, 1977, 4 min
Akiko Hada, Oi Hoi Bang Bang!, 1988, 6 min
Stuart Marshall, Distinct (extract), 1979, 3.36 min
Sera Furneaux, Lessness (extract), 1986, 3.30 min
Chris Meigh-Andrews, Interlude: (Homage to Bugs Bunny), 1983, 4 min
Judith Goddard. Electron, 1987, 5 min
Marty St James & Ann Wilson, Beatnik, 1984, 5 min
Pratibha Parmar, Sari Red (extract), 1988, 5.44 min
John Scarlett-Davis,Chat Rap (Volker), 1983, (extract), 2.10 min
Mona Hatoum, Measures of Distance (extract), 1988, 5 min
Tina Keane, Demolition/Escape (extract), 1983, 4 min
Gorilla Tapes, The Commander in Chief, 1985, 4 min
UK: PROGRAMME 2
Mick Hartney, State of Division, 1979, 6 min
Mike Stubbs, Greetings from the Cape of Good Hope, 1985, 5 min
Cerith Wyn-Evans, Degrees of Blindness (extract), 1988, 5.10 min
George Barber, Brandson, 1985, 4 min
Katharine Meynell, Medusa (extract), 1988, 4.15 min
Pictorial Heroes, Reflections on the Art of the State (extract),
1988, 4 min
John Hopkins, Video Space (extract), 1970, 5 min
Steve Littman, Crisps, 1982, 4 min
Catherine Elwes, Kensington Gore (extract), 1980, 4 min
Jeremy Welsh, I.O.D (extract), 1984, 4.08 min
Ian Bourn, The Wedding Speech, 1978, 5 min
Steve Hawley, Extent of Three Bells, 1981, 4 min
Graham Young, Accidents in the Home: Gas Fires no. 17, 1984, 4 min
CANADA: PROGRAMME 1
Murray, Keeping on Top of Song (installation), 1973, 17-min loop
Pierre Falardeau & Julien Poulin,
Continuons le Combat (extract), 1971, 10 min
Colin Campbell, Sackville I'm Yours (extract), 1972, 6 min
David Askevold,
My Recall of an Imprint of a Hypothetical Jungle, 1973, 5.30 min
Jeff Spalding, VideoWash (extract), 1973, 5 min
Eric Cameron, Contact Piece: A Nude Model (Donna) (extract), 1973, 6 min
Lisa Steele, Birthday Suit, 1974, 12 min
Rodney Werden, Say, 1978, 3 min
Paul Wong, 60 Unit Bruise, 1976, 4.30 min
Daniel Dion & Phillippe Poloni, Division de la Nature, 1981, 5 min
CANADA: PROGRAMME 2
General Idea, Pilot (extract), 1977, 5 min
Tom Sherman, Televisions Human Nature (extract), 1977, 9 min
Alex Poruchnyk, Live Wire, 1982, 5.50 min
Jayce Salloum, In the Absence of Heroes (extract), 1984, 5 min
Su Rynard, A Tape About Memory, 1985, 3.30 min
Vera Frenkel, Last Screening Room (extract), 1984, 9.45 min
Robert Morin, Thief Lives in Hell, 1984, 19:40 min
4:30pm PANEL DISCUSSION
With Peggy Gale, Catherine Elwes, Chris Meigh-Andrews, David
Critchley and Tamara Krikorian. Chaired by A.L. Rees.
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